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tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Tea caddy stand, from a tea service, 1792

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Teapot stand, from a tea service, 1792

Paul Revere, Jr.

G350

Salt, 1640

George Gallant

G350

wide maple bowl with wide splayed silver gilt lip; in center is a raised boss enclosing an engraved silver medallion of St. Margaret standing on a dragon

Mazer with scene of St. Margaret of Antioch and her dragon, c. 1470-1500

England

G350

Tankard, c. 1707-1708

Robert Cooper

G354

teapot, globular body on moulded flaring base; on the shoulders an engraved band of scrolls and latticed panels; on one side a coat-of-arms, unidentified

Teapot, c. 1730-1740

John Burt

G350

hot water jug, stand and spirit lamp; silver; George III; band of fluting around body; replacement wooden handle

Hot water jug with warming stand, 1807

Paul Storr

G350

Coin silver tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Teapot, from a tea service, 1792

Paul Revere, Jr.

G350

decorated with cut-card work on handles and body; domed cover removable

Chocolate pot, c. 1703

William Charnelhouse

G350

coffee pot, vase-shaped with long spout and 'S' scrolled handle; base of spout decorated with leaf motif; engraved crest on body: body engraved on one side with a crest composed of a heart-shaped shield charged with a lion Rampant, ensigned by a cock and draped with delicate sprays of flowers

Coffeepot, c. 1770-1780

Benjamin Burt

G350

tankard; flat engraved top serrated in front; corkscrew thumb piece; body decorated near base with foliate border; handle decorated with cherub motif; embossed handle tip

Tankard, c. 1710

Peter van Dyck

G350

one of a pair of entree dishes with covers; engraved with royal coat of arms, finials in form of owner's crest; gadrooned borders, high domed covers with gadrooned mouldings

Covered entrée dish, one of a pair, 1809-1810

Paul Storr; Manufacturer: Rundell, Bridge & Rundell

G350

tankard with cylindrical body, flat cover with serrated front edge; coin inset on cover (silver crown of Hungary; S-scrolled handle engraved with contemporary initials [PHJM]); corkscrew thumb piece; handle tip embossed with ram's head

Tankard, c. 1720

Henricus Boelen II

G354

caudle cup with bulbous circular body flaring at the rim; engraved with a coat-of -arms composed of a shield charged with a double headed eagle (probably those of Brown or Browne of Massachusetts); two graceful open scrolled handles

Two-handled cup, 1690-1710

Jeremiah Dummer

G350

footed salver with gadrooned rim and foot; engraved Dudley coat-of-arms; fleur-de-lis mark with circle in a heart on top beneath coat-of-arms; mark rare after 1705, so paten probably dates before that time

Footed salver, c. 1702

John Coney

G350

salver, square, on four legs; moulded rim and indented corners; center engraved with mantled shield surmounted by plumed helmet; within rim a band of engraved shellas and rosettes

Salver, c. 1740-1750

Jacob Hurd

G350

tankard, engraved with monogram [J.M.B.] in shield on front body; serrated cover, scroll thumbpiece, cherub handle tip; reeded at base

Tankard, c. 1715

John Coney

G354

porringer, one of a pair, with shallow bowls slightly domed in center and handles pierced in keyhole design; handles bear the inititals [A*O]

Porringer, one of a pair, c. 1725-1730

John Burt

G350

Communion cup with paten cover, c. 1568-1569

George Kitchen

G350

tankard, with slender tapered body circled by a moulded band about a third of the way up from a moulded base, domed cover topped by a finial; scroll handle, with an erect scroll thumb piece, terminating in an embossed cherub's head, an applied, moulded drop extends part way down the handle from the hinge, the front of the body is engraved with the monogram EMM

Tankard, 1710-1720

John Coney

G350

one of a pair of entree dishes with covers; engraved with royal coat of arms, finials in form of owner's crest; gadrooned borders, high domed covers with gadrooned mouldings

Covered Entrée Dish, one of a pair, 1809-1810

Paul Storr; Manufacturer: Rundell, Bridge & Rundell

G350

porringer, one of a pair, with shallow bowls slightly domed in center and handles pierced in keyhole design; handles bear the inititals [A*O]

Porringer, one of a pair, c. 1725-1730

John Burt

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Sugar bowl, from a tea service, 1792

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Tea scoop, from a tea service, 1792

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Sugar tongs, from a tea service, 1797

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Creamer, from a tea service, 1792

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Punch strainer, 1792

Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons

Tea caddy, from a tea service, 1792

Paul Revere, Jr.

G350

Ladle; fluted bowl and bright cut engraving on handle; urn shaped shield engraved on end of handle

Soup ladle, c. 1783

Paul Revere, Jr.

G350

vertical pillar finely carved and terminating in female caryatid; the curved neck has an open face paneled in glass, exposing the comb containing the mechanism for strings and also the signature of the maker in brass; the body of mahogany is paneled on one side with bands of ivory in the center, and the opposite side is painted with landscape scenes; near the top is a drapery on which is also painted the signature of the maker; the pedestal box is carved and gilded and sets on an octagonal wooden box of a later maker

Harp, c. 1787-1790

Cousineau Père et Fils; Artist: Formerly attributed to Pierre Joseph Cousineau

G318

Dining Room from Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. The paneling is of cypress wood painted white and the overmantle shows the influence of the classical tradition in America during the XVIII century. The house from which this room came was erected in 1772.

Charleston dining room, 1772

United States

Not on View
Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

Not on View
flat top with scrolled front piece and serrated lip; scroll handle

Tankard, c. 1694-1695

Samuel Dell

Not on View
bowl has two scroll handles and stands on a low moulded foot; a plain compressed knob surmounts the domed moulded cover, engraved on the cover and body with the Crown and the initials of the Earl of Ancaster and Kestinen; salver-on-foot is plain and circular with moulded edge; tall circular foot with moulded base; center engraved with Crown and the initials of the Earl of Ancaste and Kestinen

Covered bowl with salver, 1716-1717

James Fraillon

Not on View
punch strainer with double scrolled handles and bowl pierced in a design of circles and narrow crosses

Punch strainer, c. 1740-1750

Jacob Hurd

Not on View
small circular drum

Argyle, c. 1778-1779

Robert Makepiece I; Artist: Richard Carter

Not on View
sugar bowl, urn-shaped, covered, on square base, urn finial, bands of beading at rim and foot, and engraved shield topped by a bow knot and framed in swags of leaves, shield bears monogram [HM]

Sugar urn, 1791-1794

Freeman Woods

Not on View
openwork, engraved crest in center

Cake Basket, c. 1754-1755

S. Herbert and Co.

Not on View
Adam design, monogram in swagged circle; spigot with ebony handle

Tea urn, c. 1790

England

Not on View
Half-length, three-quarter position portrait of the captain as a young man in his early forties. He is shown half-length, seated in three-quarter position wearing a ruffled jabot, and dark suit with brass buttons; on his waistcoat is prominently displayed the bald eagle of the Order of the Cincinnati.

Portrait of Captain Enos Reeves, 18th century

Unknown American, 18th century

Not on View
teapot, oval, with flat base and vertical sides, hinged lid with urn finial, and beading at base and shoulder; on the side, an oval shield suspended from a bow knot and framed with sprays and swags of leaves

Teapot, c. 1791-1794

Willliam Grigg

Not on View
alms plate with broad rim and reeded edge; Townsend Eyre coat-of-arms engraved on rim (see last card and letter in accession file)

Alms plate, c. 1685

John Coney

Not on View
cream jug, pear-shaped, with shaped rim and folded lip; on three double-scrolled legs with flat, three-lobed feet; shaped scroll handle

Cream jug, c. 1742

Samuel Burt

Not on View
water pitcher, engraved inscriptions in various styles: [Be Just and Fear Not]; [Presented by the Massa/ s. Charitable Mechanic Association to Mr. Thomas Wells]; [In testimony of their approbation of his faithful service in the office of Secretary March 22, 1810]

Pitcher, c. 1810

Jesse Churchill

Not on View
beaker, tapered cylindrical body slightly flaring at the rim; moulded base; contemporary engraved inscription

Beaker, c. 1740

William Whittemore

Not on View
cup and cover, two-handled; slightly rounded at bottom, on a raised base with gadrooned band; the lower body is decorated with a deep band of repoussé acanthus leaves; the slightly domed cover, with a broad design of leaves in relief, is topped by a fluted ball finial; caryatid handles

Two-handled cup, c. 1702-1708

Bartholomew Le Roux, Sr

Not on View
brazier; pierced with flared bowl on three S-scrolled legs; bowl divided into two compartments by pierced grid; wooden handle fits into deep socket attached to one of the legs

Chafing dish, c. 1760-1765

Daniel Henchman

Not on View
salver, pair of; lobed circular tray on three claw and ball feet; rim molded and chased with gadroon ornament; center engraved with a monogram consisting of the letters below a flaming urn crest standing for John and Cornelius Glen Van Rensselaer, in whose family they were until 1932

Salver, one of a pair, 1723

John LeRoux

Not on View
Kussaba, or square shawl; patchwork of Kanee roomal type, with embroidered border; black star design in center, from which, on a red ground, blue vase-like designs with white sprays emerge; red is the predominating color of the field, orange of the border; Hindu (?) inscription in center of black star; each piece of the design is patched in, the edges of each patch being sewed and fastened on the reverse side

Shawl (Kussaba), 19th century

India

Not on View
pint bellied silver cann with shallow flared base and reeding at rim; shaped handle finished at bottom with plain oval disk slightly bent at lower edges; inscribed on bottom; block caps between crown and dagger in shaped shield to left of handle; this cann, made for Isaac and Elizabeth Storer Smith, was the gift of Abigail Edwards, widow of the silversmith, John Edwards, and mother of Isaac Smith and of Samuel Edward's wife; one of a pair; see correspondence in Accession file for Edwards-Carter relationship

Cann, 1746

Samuel Edwards

Not on View
covered, spherical with gadrooned borders, on four legs

Sauce tureen, one of a pair, c. 1822

Joseph Craddock; Maker: William Reid

Not on View
teapot, pear-shaped with dome cover; ebony handle

Teapot, c. 1730-1740

Adrian Bancker

Not on View
tankard, cylindrical body, spiral finial, scrolled thumb piece; plain handle tip; reeding at base.

Tankard, c. 1785

Benjamin Burt

Not on View
cann; bulbous body; molded base; 'S' scrolled handle

Cann, 1735

John Burt

Not on View
Holiday Traditions, Charleston Dining Room Six lobed rim with gadrooned border and crest.

Plate, one of a pair, c. 1892

James Garrard; Retailer: Garrard & Co.

Not on View
cup, tumbler type, George II, sans base

Tumbler, c. 1759-1760

Paul Lamerie

Not on View
plain design, engraved crest, scroll handle A pair with 61.55.7

Cann, one of a pair, c. 1707-1708

attributed to John Fletcher

Not on View
teapot; pear-shaped with a wooden handle; engraved finial and engraved band around cover on body; engraved crest on side.

Teapot, c. 1760-1765

Elias Pelletreau

Not on View
caster, baluster shaped, pierced top, pine cone finial; engraved [D] on one side

Caster, c. 1760-1770

Zachariah Brigden

Not on View
plain design, engraved crest, scroll handle; a pair with 61.55.18

Cann, one of a pair, c. 1707

attributed to John Fletcher

Not on View
wooden handle, engraved crest on side, high domed cover

Coffee pot, c. 1710-1715

Edward Yorke

Not on View
small, round bowl and backward turned handle

Sauce ladle, c. 1782

Hester Bateman

Not on View
decorated with simple design of lines.

Bowl, c. 1679

England

Not on View
candlestick, one of a pair, cast silver, of Queen Anne design; baluster-shaped stem, the upper portion of which is octagonal shaped base; socket smaller than on candlesticks of a later date

Candlestick, one of a pair, c. 1750

George Ridout

Not on View
porringer, large, with typical three perforation New York handle; family initials on base

Porringer, 1725

Simeon Soumain

Not on View
sugar bowl, inverted pear shape, with cover; narrow band of gadrooning at rim and monogram on side

Lidded Sugar Bowl, 18th century

William Hollingshead

Not on View
engraved with crest, wooden handle

Cream pitcher, c. 1750

England

Not on View
square, indented corners, engraved design, crest in center

Waiter, c. 1724

Paul de Lamerie

Not on View
covered, spherical with gadrooned borders, on four legs

Sauce tureen, one of a pair, c. 1822

Joseph Craddock; Maker: William Reid

Not on View
tankard, slightly tapered, cylindrical plain body, flat cover with serrated front edge, and solid scroll billet, 'S' scrolled handle with fine hinge and beaded ornament in relief; reeded base

Tankard, 1719

Simeon Soumain

Not on View
basket, minature, with swing handle decorated with a running band of punch-work ovals; the body has a narrow pierced band beneath the rim and beading at rim and base

Basket, c. 1780

Zachariah Brigden

Not on View
cann, bulbous body and double-scroll handle

Cann, c. 1755-1760

William Breed

Not on View
Holiday Traditions, Charleston Dining Room Six lobed rim with gadrooned border and crest.

Plate, one of a pair, 1892

James Garrard; Retailer: Garrard & Co.

Not on View

Helmet-shaped ewer, 1709

Formerly attributed to Nathaniel Lock

Not on View

Sugar Caster, 1701-1702

William Gamble

Not on View
spout cup, with globular body and domed lid with turned finial; reeding at neck and beaded rat tail on handle; engraved crest, much worn, on cover

Spout cup, c. 1700

John Coney

Not on View
caster, pierced top and gadrooned base, small finial

Caster, c. 1694-1695

attributed to George Garthorne

Not on View
flagon, part of a communion set, engraved design of sun, cross three nails, and initials [IHS] and inscription

Flagon from a communion set, c. 1790

Matthew Boulton Plate Co.

Not on View
creamer, with scroll cut lip and S-scroll handle, on circular molded foot, monogram on front: [MD]

Creamer, c. 1775-1780

Joseph Richardson; Maker: Nathaniel Richardson

Not on View
two-handled cup, lower parts of the body decorated with bands of spiral, twisting fluting over a shallow reeded foot; slightly flaring rim above a narrow band of gadrooning; scrolled handles decorated with beading

Two-handled cup, c. 1715-1720

attributed to William Cowell

Not on View
salver, pair of; lobed circular tray on three claw and ball feet; rim molded and chased with gadroon ornament; center engraved with a monogram consisting of the letters below a flaming urn crest standing for John and Cornelius Glen Van Rensselaer, in whose family they were until 1932

Salver, one of a pair, 1723

John LeRoux

Not on View
a very similar table exists in the collection at Mount Vernon; a. table; b. drawer.; Holiday Traditions, Providence Room

Folding card table, c. 1750

United States

Not on View
clock, long case; hood has scroll top and brass finial; painted domed dial framed by fluted columns with capitals and bases gilded; body framed by quarter round columns rests on feet in bracket form terminating in claw-and-ball and carved with acanthus; band of carved fretwork below dial

Tall case clock, 1773

John Strykes

Not on View
Portrait of Mrs. Gardner Greene. Half-length portrait, three-quarters life size, of lady, with rose-colored bodice and flaring sleeves. White fichu. Dark hair drawn back from forehead and worn low on neck. Inner oval, broken at bottom, frames portrait.

Portrait of Mrs. Gardner Greene, 1770

Jeremiah Theus

Not on View
side chair, one of a pair; Sheraton type; open garland and urn back; striped pink and green silk brocaded seat, with serpentine front edged with double row of brass nail heads; front legs square and slightly tapered; back legs square and curved back slightly

Square-back Sheraton side chair, one of a pair, c. 1790-1800

United States

Not on View
card Table, folding, hinged top; Hepplewhite design; corners of top cut in recessed quarter-round design popular during the last ten years of the century; narrow inlay of holly forms panels on legs; in center of skirting are inlaid two swags from which hang pendant husks; above the legs are oval inlaid panels formed with the same wood

Card table, c. 1790-1800

United States

Not on View
ewer; long cylindrical neck shows sprays of flowers; band of flowers forms border of neck and repeat motif (white circles within blue hexagons) reappears on slightly projecting lip; curved blue handle in shape of dragon, head turned backward, jaws wide open; (upper part of jaw broken)

Ewer, 19th century

China

Not on View
Portrait of Diana Mary Barker. Young woman turned three-quarters toward the spectator, with dark eyes straight ahead, raises left hand to pick a small pink flower growing in a pot; in the other, she holds some pink roses. Blue and gold striped ribbon, barely discernible, wound about dark hair. Fair complexion, aquiline nose. Greyish-tan dress, full elbow-length sleeves and undersleeves caught up with pearls and blue ribbon. Grey and gold striped scarf draped around neck; blue and gold striped belt with gold fringe. Double strand of pearls caught loosely about base of throat.

Portrait of Diana Mary Barker, 1766

Benjamin West

Not on View
corner table, one of a pair; Sheraton design; decoration consists of lines of satinwood inlay on top edges on apron and legs - where husk ornament appears; inlaid panels on rear legs; N.B. Said by Lyon to have been bought and made probably in Baltimore

Corner Table, one of a pair, c. 1780-1800

United States

Not on View

Strapwork-back Chippendale side chair, c. 1760-1770

United States

Not on View
side chair; style of Sheraton; pierced splat, below a curved crest rail, displays variation and combination of urn and lyre motifs and drapery swags enclosed within narrow, tapering uprights, the whole surmounted by carved cresting; seat, serpentine front, upholstered in green satin; straight, square tapering legs

Lyre-back Sheraton side chair, c. 1800

United States

Not on View
table, folding card; drawer with brass bail handles and key plate; square moulding and slightly tapering legs, called 'finger print' design; entire piece has moulded edges throughout

Card table, c. 1780

United States

Not on View
set of 32 chessmen, sixteen red and sixteen white (natural); each chaessman stands on a carved filigree globe, within which are one or more free carved balls; the globe rests on small turned stem, and the foot is carved with double row of lotus design

Chess Set, 18th century

China

Not on View
wine bowl and cover,creamy green-white tone typical of capodimonte ware; bowl and cover mounted with chased silver rims; incised with vertical lines, as on mellons; ornamented with leaves, vines and bunches of grapes in high relief; bunch of grapes in the round form finial; Holiday Traditions - Charleston Dining Room - out

Wine bowl with cover, c. 1750-1780

Capo di Monte

Not on View
Portrait of Henry Lambert. Life size. Full faced, clean shaven, white perriwig, dove colored cloth coat with buttons at front and cuffs; white lace-edged neck cloth (with heart shaped gold stick pin), and wrist ruffles, rich cream colored and embroidered satin waistcoat; right hand is concealed by left, on little finger of which is a carnelian ring; around third finger of this hand is twisted some black velvet ribbon(?); background of soft mustard color, with drapery effect at left.

Portrait of Henry Lambert, 1780-81

Gilbert Stuart

Not on View
Chippendale style

Highboy, c. 1760-80

Spikey Leaf Carver

Not on View
Rococo cartouche-shaped frame with pendant sprays of gilded flowers and leaves at side; top surmounted by basket of flowers between Rococo scrolls; a small gilt moulding edges mirror proper

Mirror, c. 1775

United States

Not on View
andirons, pair of; baluster stems supporting faceted square knobs and flame finials; two ball and claw feet

Andiron, one of a pair, c. 1760-1780

United States

Not on View
with tray top (raised edge cut from the solid piece)

Tilt-top table, c. 1740-1775

United States

Not on View
arm chair, Chippendale style; solid urn-shaped splat supports boldly curved crest rail with carved shell ornament in center; arms curve outward and terminate in broad volutes; shells ornament the knees of the cabriole legs that terminate in claw and ball feet; slip seat upholstered in crimson damask; Philadelphia type, possibly made by Savery

Armchair, 1750-1770

William Savery

Not on View

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